Articles

Roald Dahl’s children’s fantasy stories have been enjoyed by children and adults alike. Several of them have been made into successful films, regarded as cinema classics. Now The BFG, written by Dahl in 1982, has been adapted for the big screen by Steven Spielberg. The pressure is on Spielberg to make a convincing interpretation of this much-loved book. Does his film carry the story’s essence and…

The opening of the Switch House at the Tate Modern Extension took place in June. Switch House is designed by Swiss architects Herzog & de Meuron, also responsible for the existing Tate Modern construction, now known as Boiler House.

Tate Modern Gallery is a hugely popular visitor attraction. It was designed to take 2 million visitors a year when it first opened in 2000. Visitor numbers had…

'Dutch Flowers' in Room 1 at the National Gallery marks the onset of spring; the flowering season. But there’s a discomforting undercurrent to these pretty floral compositions of caterpillars, birds nests, insects, fallen petals and withered stems.

The twenty two still life paintings come from the National Gallery’s collection, from 1700s to 1800s and developed out of an increasing interest…

Vogue fashion magazine is well known for its excellent and often whimsical photography, providing a portal to escape from the everyday and mundane. This display at the National Portrait Gallery celebrates the centenary of British Vogue (1916-2016), taking a journey through the best of these photographs, present and past, sourced from Condé Nast archives.

Well there’s certainly lots to see.…

Festooned with sub-prime mortgages and credit-default swops, director Adam McKay’s take on the 2008 economic crash makes heroes of the outsiders who saw it coming, bet against the market and made a killing. At over 2 hours of tightly scripted didacticism it should be a feat of sheer will to sit through the arcane terminology that helped shield the financial wizards who hoodwinked the west. But McKay’s approach is ordered and direct with enough waspish humour to make a decent sized fist of it all. Some good bits of over-wrought acting from Christian Bale and Steve Carrell, with able support from Gosling and Pitt. As sure footed and able as can be, but hardly transparent, as modern terminology would put it. Using other people’s money to bet against the ‘safe as houses’ mortgage market, these greedy fellas helped bring the whole thing down even quicker and with more painfully than might otherwise have been the case. And back in 2016 all is bubbling away quite nicely again.